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Afghanistan : les derniers résistants
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The Prince of Nothingwood
French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.
Afghanistan's Opium Trail
Over 90% of the world's opium now comes from Afghanistan. In this shocking new film, we ride the drugs caravan, from cultivation, to process, to market. On route, we lift the curtain on the hidden world of the drug barons; learn how to process heroin in the crudest of laboratories and encounter deadly gunfights on the Iranian border.
He Toki Huna: New Zealand in Afghanistan
Annie Goldson and Kay Ellmers’ doco, expanded from the film they made for Maori Television, takes a timely look at New Zealand’s military and media, notably journalist Jon Stephenson, in Afghanistan.
Taxi to the Dark Side
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
Kabul Chaos
A look back at the years leading up to the fall of Kabul and the perilous evacuation of civilians trapped inside the embassy in the hours following the Taliban's takeover of the country.
Comme une pluie de parfum
Five Afghan men try to reach Europe. The filmmakers followed them for over six months, filming their clandestine journey and chronicling a migration combining fantasy and stark reality, setbacks and achievements, in the midst of the dangers of such trips.
Jaan
In Jaan the filmmaker uses her mother’s forbidden cassettes and dance to tell the stories and show the spirit of Afghan women across generations.
The Soviet Army Prepares for Action in Afghanistan
The Soviet Army Prepares for Action in Afghanistan is derived from four shots of a Soviet film called Heirs of Victory (1975) which commemorates the Allied triumph over fascism in World War II. The original film celebrates the military might of the USSR in images of explosions and armed men leaping through flames. These images are subjected to such thorough manipulation that they become patterns flickering like a multitude of abstract paintings, with digital smears standing in for squeegee marks and brush strokes. Slowly the shots become less abstract until they are completely recognizable, though still somehow rather surreal.
Why Didn't Anybody Tell Me It Would Become This Bad in Afghanistan
Near-silent and shot via a cell phone, a war veteran observes the world which has been colored by his experiences in Afghanistan.
My Childhood, My Country: 20 Years in Afghanistan
This film creates a real-life epic of boyhood and manhood that follows the same individual over 20 years, living in one of the most dangerous countries in the world. When we first meet Mir, he is a mischievous boy of seven living in a cave in central Afghanistan alongside the Buddhas of Bamiyan, two statues that were recently destroyed. For two decades, the film follows the adventures of his life, until, as an adult with a family of his own, he decides to pursue his own career as a news cameraman in Kabul. More than just a personal journey, My Childhood, My Country is an powerful examination of what has – and has not – been achieved in Afghanistan over the past 20 years.
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