Overview
The members of the Ayrudzi troupe travel across various villages of Armenia on horseback and put on folk song and dance concerts and shadow theatre performances for the locals.
Genres
Similar titles
Šibi-ryby, mastné ryby
Šibi-ryby, mastné ryby
Песни родной стороны
Песни родной стороны
Scottish Myths & Legends
"Scottish Myths & Legends" explores the magic, mystery and sprinkling of mayhem that covers the dramatic landscape of Scotland. From the ancient tales of the Loch Ness Monster to the stories of shape shifting Kelpies, we go on a fascinating journey of discovery to uncover the stories behind the myths and the magnificent Scottish landscape that has inspired these truly legendary legends.
Regarding Our Father
Gerald S. Doyle was one of the first collectors of Newfoundland folk songs. He was also an avid cinematographer who left a collection of 12 hours of colour film, shot in outport Newfoundland and Labrador in the 1930's, 40's, and 50's.
CALL OF THE JAB
A powerful cultural documentary about a Caribbean father and son who return to Grenada to reclaim ancestral stories. Blending folklore, myth, and underwater visuals, the film preserves Black heritage and reframes the feared Jab Jab as a symbol of resistance and identity.
Who plays me, hears my voices
"Who plays me, hears my voices”, shows a recent moment in the life of Gaston Lafourcade, a classical pianist and harpsichordist who, at the age of 83, enters a recording studio for the first time in his life to record a solo album and to join his daughter, Natalia Lafourcade, who during a recess period in her career, decides to embark on this adventure as a love letter to her father and as a way to enjoy what brings them together, beyond blood ties: their deep love for music.
Shaping Bamboo
For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is "bamboo" ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale-seven equidistant degrees in an octave-are practically tuned.
Spring in Carpathian Ruthenia
Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits.
![Yeoyu and Seolbin - [Comedy] poster](https://image.tmdb.org/t/p/w500/54eOGR6nQtTKl9rGLTMMGsSd4FE.jpg)
Yeoyu and Seolbin - [Comedy]
The folk duo 'Yeoyu and Seolbin' completed their third album, 「Comedy」, while living in Jeju. The record swept the Folk category at the Korean Music Awards and was praised as "a single album that has it all—regret and sympathy, rage and sorrow, and hope." Exploring what it means to be alive in the face of life's tragedies, the duo weaves a subtle yet powerful narrative through Jeju's landscapes: an old house and its yard, a Chinese restaurant where they once worked, and the recording studio.
The Drunkmen’s Marseillaise
In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.
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