Overview
A nematic painting of sleep.
Genres
Similar titles
Rectangle & Rectangles
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
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A young woman dreams of a jellyfish in a sea of blue. Far below the surface the jellyfish dreams of her and glimpses a secret she keeps
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A man seeks revenge after the murder of his girlfriend.
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Thirty-six layers of water aligned to create a perfect circle. 1 of 2
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A hand moves gently, its presence shifts continuously.
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He needs to be helped out.
humming, fast and slow
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.
Oh! My Mother
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
The Hunched Donkey
After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.
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