Overview
Journey through the memories of the tour of India in July 2024.
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A forgotten house at the end of the valley. A lone man searching for answers. What begins as an ordinary hike quickly turns into a dark descent into the secrets of a family scarred by tragedy.
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Viva video, video viva
Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.
Cóndor
Cóndor
Wintopia
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.
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Three farming families in Hanyuan, China, strive to give their children a good life in the midst of an ecological crisis, as widespread use of pesticides leads to a dramatic decline in bees and other pollinating insects in the valley.
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The link between body and mind is portrayed in the context of materialism; the importance of physical objects to express personal identity in the tangible world. Four categories are shown in the full installation that supported this film; everyday objects, clothing, makeup, and creations in the form of visual art. These form the pillars of self-expression, through which the soul can be made visible. This experimental film shows the union of the mind built from complex identity structures and memories, with the material extensions that hold this enormous value, becoming important to an individual's personal existence. Inspirations from several film and photo works, notably "All About Lily Chou-Chou" (Iwai), "The Rocky Horror Picture Show" (Sharman) and Ana Mendieta are incorporated throughout the video and accompanying photo installation.
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After traveling the globe to highlight low-tech, Corentin de Chatelperron has set himself a new challenge: to live independently, alone for four months, on a bamboo raft floating in Phang Nga Bay, Thailand. On his 70 square meter platform, the engineer, passionate about ecology and system D, puts into practice what he has learned in order to feed himself and produce his own energy.
Darwin in Times Square: The Science of Urban Evolution
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