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Good Berry
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Odds & Ends
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
From The Balcony
A little story from a blue-collar neighborhood. Lina, a middle-aged lady who never leaves the balcony of her house, intervenes in everything that happens within her visual field. People passing by in front of her building, neighbors from the apartments across the street, everyone realize that whatever they do, Lina is watching day and night and intervenes: From throwing a bandage from her balcony when an accident takes place to giving parking advice or notifying the police for a burglary. Some are surprised by her attitude, but most are annoyed by her constant gaze on them. Until Lina loses her son in a car accident and does not go out to her balcony ever since. The neighborhood is not the same anymore.
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