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Explore 3 Mercados with overview, cast, runtime, rating, and similar titles for IPTV streaming discovery.
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Biu Brahma
Ele mesmo
Seu Heleno
Ele mesmo
Galego do venen
Ele mesmo
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Paysans cinéastes
Farmers in the Île-de-France region, they filmed life on the farm, working in the fields, and family and village celebrations on 8 mm or Super 8 film. From the 1950s to the 1980s, these testimonies unfold a history of rural life: we move away from a peasant and family model to industrial agriculture for export. Through these family images, I attempt to answer my own questions about our agricultural future. In the 1950s, the land of Île-de-France fed us.
A Place of Absence
This poetic film follows director Marialuisa's journey with Anita and Leticia, Central American women traveling with the Caravan of Mothers of Missing Migrants.
13 novembre, nos vies en éclats
On November 13, 2015, the attacks in Paris and Saint-Denis, carried out by three Islamist commandos and claimed by ISIS, were the deadliest in France since the end of World War II. In the months that followed, the November 13 Program was launched by the CNRS and Inserm to study the construction of individual and collective memory around an event that profoundly marked French society. Today, the testimonies of 27 volunteers—among some 1,000 people—who participated in the study form a mosaic of experiences that shows how trauma extends beyond the immediate circle to permeate the national collective memory.
Tricky Memory
The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.
Cóndor
Cóndor
Paper City
Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.
Con Traje y Sin Zapatos
Con Traje y Sin Zapatos
Amnion
The amnion – the fetal membrane protecting the embryo – becomes a metaphor in the film for an intimate space where pain can be shared and a path to healing sought. This sensitive portrait of three women whose lives have been marked by sudden separation is carried from the outset by a meditative soundtrack that shapes an environment in which personal experience becomes expressible. Ritual gestures – traditional costumes, cooking together, hugging – create a protective shell that allows pain not only to be expressed and shared, but also transformed.
Quem trocou as memórias de lugar
Quem trocou as memórias de lugar
The Future Tense
Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.
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