Overview
Two and a half years after the start of the full-scale invasion, Ukrainian artists and volunteers are heading to Burning Man to create a large-scale installation. Using road signs from deoccupied territories, they spell out the phrase "I'M FINE" — a symbol of how people hide their pain and try to persevere despite the circumstances. The sculpture becomes a place for meeting, reflection, and dialogue about war, trauma, and the strength of the Ukrainian spirit, demonstrating how art can become a platform for open conversation about painful experiences.
Genres
Cast
Vitaliy Deynega
Self
Mariia Moroz
Self
Oleksii Sai
Self
Anatoliy Tapolskyi
Self
Similar titles
Cern and the Sense of Beauty
An exploration of the link between science and beauty through the work of scientists at CERN, in Geneva.
Postmodernism: The Substance of Style
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
Painting With Light
A photographer and a painter are challenged to swap mediums, to create an abstract self-portrait exploring unfamiliar techniques.
The Faraway Nearby
The Faraway Nearby follows the tragic life of pioneer physicist Joseph Weber, whose pursuit of gravitational waves takes him on a dizzying journey from the height of acclaim to the depths of despair and disdain when he breaks the cardinal rule of science and clings to his ideas though his results can't be duplicated. Physicists, artists, and other creatives explore the emotional side of discovery and question whether the risk is worth the journey.
Maria: Don't Forget I Come From the Tropics
An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.
Rothko: Pictures Must Be Miraculous
Mark Rothko, a master of abstract expressionism, created 835 paintings during his five-decade career.
Costakis: The Collector
One public housing flat in Moscow stood out above all others: the home of George Costakis, the foremost collector of early 20th century Russian avant-garde art. Its walls were crowded with banned and forgotten works by artists such as Malevich, Tatlin, Kandinsky, Chagall, Lissitzky, Rodchenko, and Kliun; public figures such as Edward Kennedy, Stravinsky, and Alfred Barr visited. Barrie Gavin met the collector in 1982 at his home in Athens. Costakis, a Greek born in Russia, passionately shares his story and those of the great Russian avant-garde artists. Their works are his legacy – without him, they would not have survived the political upheavals in Russia.
How Do You See Me?
How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.
The Lost Portrait of Bonnie Prince Charlie: A Culture Show Special
In 2009, art detective Dr Bendor Grosvenor caused a national scandal by proving that the Scottish National Portrait Gallery's iconic portrait of Bonnie Prince Charlie, the rebel Stuart who almost seized power in 1745, was not in fact him. Keen to make amends, and suspecting that a long-lost portrait of the prince by one of Scotland's greatest artists, Allan Ramsay, might still survive, Bendor decides to retrace Charles's journey in the hope of unravelling one of the greatest mysteries in British art.
Inn Signs Through the Ages
Fred Taylor displays a number of items from the Building Centre's 'Inn Sign Exhibition' held in November 1936. Some signs in the exhibition date back to the reign of Charles II, while others are more contemporary.
Streaming IPTV FAQ
Can I watch this title through IPTV?
Availability depends on your IPTV provider and the rights included in your subscription. This page uses TMDB data for discovery and does not host video content.