Overview
This is the morning of a young Nigerian woman's wedding preparations. As she gets ready surrounded by the women of her family, she questions her life choices.
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Since Otar Left
The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.
Gamak Ghar
In a north Indian village, a family reunites at their ancestral home to celebrate a new birth in the family. It’s a joyous, carefree occasion. Over the next two decades, through festivals and feasts, births and deaths, the film observes one house as it ages and falls to neglect.
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Aisyah just graduated. She lives in Ciwidey, West Java, a religious village near a tea plantation, with her mother and younger brother. Her father had died a few years ago. She wants to be a teacher. One day, she gets a call from the foundation where she enrolled: she gets her wish fulfilled at the location that she never knows: Derok, North Middle Timor District. From the beginning she feels like a "foreigner". The local people mistake her as Sister Maria, just because she wears a veil like a sister. The people is expecting the arrival of Sister Maria as a teacher in the village. This isolated village is without electricity and cellular signals. The new environment, the different tradition and religion make Aisyah giddy. Fortunately there is Pedro (Arie Kriting) who makes the problems easy. She must face the hatred of one of his student, Lordis Defam. Through the chief, she understand that she is a Muslim who is considered an enemy by Lordis Defam who is a catholic
Shook
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In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.
The Loyalist
A North Korean general visits his talented daughter at a prestigious Swiss school to test her loyalty towards her motherland. An outstanding singer, with a promising future, she dreams of studying in America. But her dream will be at the cost of her father's life if she doesn't return.
The Garden
Living together with her father, Yao Shan has to readjust her life after her mother's death. Misunderstanding and tension between she and her dad builds up to an extent that her father wanted to move out of the house. After attending an overseas gardening course, her father steps into her mother's garden again. And this move seems to have changed everything between YaoHsuan and her father...
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