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Graffiti : peintres et vandales
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Style Wars
Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
VANDAL GRAFFITI, INVISIBLE APPROACHES
A dozen of renowned graffiti-artist vandals in France, who paint on subways, on the facades of buildings and along highways. Let's follow them in their daily lives and in their actions in order to understand why they are doing this. For adrenaline, to convey political messages, or for artistic research. Some very risky and very committed actions will be broadcast on French television, others will forever mark the streets of Paris. This 60-minute documentary is a year-long immersion in French graffiti.
Basquiat, Une Vie
From Brooklyn to the Bronx, Soho to Greenwich, Union Square to Wall Street... Join us and the friends, collaborators and gallery owners who supported Jean-Michel Basquiat throughout his life. The first ever recognized graffiti artist, who saw international success as a neo-expressionist painter in the 80s, Basquiat is a true contemporary hero who died at the peak of his career.
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Documenting Graffiti culture in a basketball court in the Bronx. The filmmaker was accompanied by Martin Wong who said, "bring your camera". The Graffiti Hall of Fame is the result.
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A mother and her homeless son’s last line of communication–cement walls, electrical cabinets and dusty windows.
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As the walls of Cuba's ageing infrastructure continue to crumble, a burgeoning street art scene is born in Havana. Murals of hand-painted masked character – Supermalo – with the tag “2+2=5?” have begun to appear in seemingly every corner of the heavily foot trafficked city.
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B movie
This mini documentary features a rare interview with infamous graffiti artist Banksy, delving into how he started out as a graffiti writer up to his shift to gallery art, installations, CDs, and more. Til this day only a hand full of people know his real identity, such as friends appearing here: 3D of Massive Attack, Damien Hirst, and others.
Art as a Weapon
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
White Walls Say Nothing
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
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