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Almost Anything
Overview
Centrist revelations abound among repetitions & revisitings.
Genres
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James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.
Cyanonide
A film in five different sections, each containing a different soundscape by Ostrowski. Hand painted film, intense exposure, morphing textures and shapes into a seamless whole; geometrical games sabotaging themselves; and the incessant lure of the abstract paint drift. The soundscapes, of course, build up like fountains of picture, oscillating between contemplative sculptures with electronically manipulated strings and harsh noise attacks on our senses. Despite the use of sound as a central filmic element, Cyanonide stands as a proof of the enduring influence of Brakhage on american avant-film.
Untitled #1
A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.
Transmissions
Circuit bent gain controller run into a CRT TV
Frozen Jumper
"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.
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A film about friendship and the occasional loneliness.
Every Ambulation a Betrayal
Return to 'burn' only to find out you're already in that urn.
We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go
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Aridity Enclosure 1
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'
Hiding inside&out, writhing about, taken out&in.
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