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Françoise Dorléac, from The Man from Rio to The Young Girls of Rochefort
Born into a family of actors, Françoise Dorléac, Catherine Deneuve's older sister, began her career at the age of 15. She shone a few years later alongside Jean-Paul Belmondo in "L'Homme de Rio". From there, a great international career is announced to the young actress. But in 1967, a few months after filming the "Demoiselles de Rochefort" with her sister, she died tragically in a road accident, at the age of 25. Nevertheless, she leaves behind an abundant career and thus continues to be present in the minds of cinephiles.
Gulpilil: One Red Blood
An hour-long documentary on the life and career of actor David Gulpilil.
I Have No Memory of My Direction
Ostensibly searching for an emotional connection with her aging father, the woman contemplates her own inherited culture and familial touchstones. Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.
welcome_home.exe
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
June
Until Reese Witherspoon’s Oscar-winning portrayal of her in the Johnny Cash biopic Walk the Line, most contemporary audiences were unfamiliar with June Carter Cash. Kristen Vaurio’s comprehensive documentary June offers a much fuller understanding of the multitalented artist, singer, songwriter, comedian, and actress. Delightful, never-before-seen archival material reveals June’s firecracker wit and charisma as a performer
The Mentors: Kings of Sleaze Rockumentary
Documentary on the shock rock group "The Mentors".
David Bailey: Four Beats to the Bar and No Cheating
From Vogue magazine fashion photographer to filmmaker, painter and sculptor, Bailey is the working-class Londoner who befriended the stars, married his muses (Jean Shrimpton, Catherine Deneuve, Marie Helvin) and captures the spirit and elegance of his times with his refreshingly simple approach and razor-sharp eye. He is also the man whose life and work inspired one of the cult movies of the sixties, Michelangelo Antonioni's Blow-Up, and who has constantly travelled the globe either with the most beautiful models or chronicling the contemporary reality of Papua New Guinea, Brazil, Vietnam, Afghanistan and other countries with ground-breaking reportages. Above all, Bailey is a romantic with a delightful sense of humour approaching his 73rd year and showing no sign of slowing up. Director Jérôme de Missolz has created an engaging portrait of this very private man who bared the soul of the swinging sixties and seventies with his photographs and films.
Janne Schaffer - En musikresa
Janne Schaffer - En musikresa
Tree of Knowledge
It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.
Machete Gillette... Mama
"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg
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