Watch The Green Line in streaming IPTV
The Green Line
Overview
Bahij Hojeij’s documentary studies the infamous Green Line between east and west Beirut during the civil war.
Genres
Similar titles
Waltz with Bashir
A film director from Israel interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
July Trip
"When this last war broke out, I was faraway in Paris. I had but one idea: to return to Beirut as quickly as possible and to begin shooting a film, for historical moments were taking place. This film became indispensible: to film so that history would cease repeating itself and to build up a picture library for future generations. I never understood why so few films were made during the Lebanese Civil War. Apart from the odd film, nothing remains from that time. The war surely merited more attention." (Waël Noureddine)
Asma
A Beqaa Valley refugee camp is seen through the eyes of Asma, an 11-year-old Syrian girl.
Lost in Lebanon
As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.
A Letter from Beirut
Letter from Beirut documents the filmmaker's return to Beirut during one of the lulls, three years after the outbreak of the civil war, animated by the urge to return. She is confronted by the physical, emotional and psychological ravages of the war, terrified and sorrowful, she cannot find her place in the city. In that quest, she communicates with everyday people, friends, neighbors, people riding the bus across the city's eastern and western flanks. To pace her journeying and dramatic unraveling of the film, Saab borrows the guise of a letter read in a voice-over, written by world-renowned poet Etel Adnan. A rare document from the civil war, Letter from Beirut lays bare and spontaneously how people make sense of their everyday in the midst of chaos, violence, terror and sorrow.
Minerva
Severely battered from the Beirut Port Explosion on August 4th, Minerva passed away eight days later. Her son Joseph, while still grieving for his loss, sunk into a long and absurd bureaucratic path through the inept system that disowned his mother as a victim of the blast. Minerva is gone. The explosion has snatched her soul, and the city walls have not yet recognized her as a martyr. There is no poster of her smiling face among those of the victims. Their faces are memories that will haunt us for the rest of our lives. Perhaps her son, devastated by her passing, seeks to etch her image into the city's memory. Perhaps he is seeking some confession to the crime. This is a place that casts out its children, whether dead or alive.
A Letter from a Time of War
Filmed in Beirut in the Spring of 1984, in many ways a letter about warfront.
Measures of Distance
In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.
Objects of War
‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.
Beirut, My City
In July 1982, the Israeli army besieged Beirut. Four days earlier, Jocelyne Saab sees her house burn and 150 years of family existence go up in smoke. She then takes refuge in questioning: when did this all begin? How did the Beirut people live the siege? Each place will then become a story and each name a memory.
Streaming IPTV FAQ
Can I watch this title through IPTV?
Availability depends on your IPTV provider and the rights included in your subscription. This page uses TMDB data for discovery and does not host video content.