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Euskal Harriaren ABDak
Overview
'Euskal Harriaren ABDak' is a collective film made up by 26 horror, science fiction and fantasy short films. The shorts are directed by Basque filmmakers and amateur groups.
Genres
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Our Effed Up World
Sheri thought her biggest problem in life was dealing with the recent loss of her beloved grandma. But when a mysterious entity crash lands in the woods, only she and her group of shitkicker friends are what stands in the way of an insatiable, intergalactic hunger.
Slumber Party Massacre
Dana, daughter of the only survivor of a massacre in 1993, is going on a weekend trip with her friends. After their car breaks down in the very same town where her mother once fought the Driller Killer, Dana and her friends must come face-to-face with the man who has haunted her mother’s life for the past 30 years.
Population 436
A census-taker is sent to investigate why a certain small town has had the same population -- 436 residents -- for the last 100 years.
Advanced Chemistry
A scientist injects his lesbian best friend with a compound he's created to make her stop cheating on her wife (who is bi), but when the wife finds her new fixation suffocating, he injects the wife too, which backfires as she falls for him
Where the Early Bird Catches the Worm
A clever but often teased boy, is able to clone himself thanks to a stolen formula from a scientist. Time to take revenge on those bullies.
Swollen Stigma
Swollen Stigma nourishes the fantasy of its protagonist’s inner life and proposes a lesbian imaginary which takes leap into risk and displacement. The film opens with an entranced seated woman working her fingers through a single strand of hair and proceeds to explore her lived imaginary in which desire and fear interlace. She re-visions different moments in time which are haunted by an absent lover. Like a playful fairy princess, this lover appears upside down in an armchair, hanging legs-down from the ceiling, playing dead on the floor, or eating roses; her body continuously permeates the woman’s reality. The film’s shifting points of view jump between the protagonist, fantasy spaces and her lover, making an internal world leak into what is external with the fluidity of blood into water.
Stages of Mourning
Ritualised through performance to camera, Stages of Mourning is Pucill’s journey of bereavement. In as much as this is a meditation on coming to terms with loss, the film is an exploration of how our relationship with the dead is made different through film. The artist orders image fragments of her late lover and collaborator, Sandra Lahire. By trying to physically immerse herself into photographs and film footage or by restaging these, Pucill forms a continuous stream of a life of two lovers. Through this doubling and layering, illusions accumulate as if these were a product of a machine that didn’t stop.
In My Skin
After a disfiguring leg injury, a young woman develops an unsettling secret relationship with her own body in which pain is pleasure, mutilation is love and hungers of the flesh have a mind of their own.
Alias
On her birthday, Juliette is too upset to worry about the strange cleaner who imitates her every move and lusts after her clothing.
Red
A savage tale of female power, inspired by the mating rituals of the female Australian Red Back Spider.
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